Lectures (offered in German, English, Spanish, French)
- Challenges and Opportunities: Digital Audio Workstations (DAW) in the Classroom
- From Sheet Music to Tune-Dex Cards and Leadsheets – the History of Musical Notation in Jazz
- Music Theoretical and Pedagogical Contexts of Ragtime, Blues and Jazz
- Analyzing Bell Sounds in George Enescu’s “Carillon nocturne” from Pièces impromptues op. 18
- Developing Variation in a Neoclassical Style: Harmony and Form in Bartók’s Sonata for Piano (1926)
- Louis Moreau Gottschalk: An American Pianist Composer – Improvisation in the 19th Century
- A Technical Basis for a Pan-American Style: Gottschalk’s Musical Education
- Reconstructing Chopin’s Méthode de Piano: the Education of 19th-Century Pianist Composers
- Pierre Joseph Guillaume Zimmerman’s Encyclopédie du Pianiste Compositeur
Lecture Recitals
- Improvisation in Classical Music and Jazz
- Béla Bartók’s Sonata for Piano (1926)
- George Enescu’s “Choral – Carillon nocturne” from Pièces impromptues op. 18
- Julius Reubke’s Sonata for Piano
- Chopin and the Art of Improvisation
- Improvising Embellishments in Händel’s Suite in d minor (HWV 428)